Geoff
Western Thunderer
That first one is just sublime.
Thanks for posting
And thank you for your kind comment Adrian.
Stunning images all, I think my favourites are both of the "two wagons" shots, not least because they show off that wonderful Tanat Valley-esque goods shed.
Simon
My trusty Lumix bridge camera is responsible for the images Simon, I just set it to 'auto' and point it in the right direction.
I wasn't sure if the goods shed was going to work, and for a few weeks its future hung in balance. The alternatives would have been a simple loading bank, with an old goods van body plonked on it, or one of those prefabricated concrete provender stores.
I think this is railway modelling at its very best. I have been scanning some of the late Mervyn Halbrook's pictures today, taken from around Limpley Stoke signal box where he was signalman in the early 1950s, and your along the track shots with signals really convey the same feelings and strong sense of the Great Western Railway that his pictures do.
Simon
Thank you very much Simon, that's praise indeed, not sure if its fully deserved though. I didn't have you down as a reader of the Railway Modeller, and must confess that I very rarely buy it myself these days, still, I'm pleased that you enjoyed the articles.
Limpley Stoke in the 50's, now that is interesting, another book from Wild Swan perchance? Anyway I'll quit whilst I'm ahead, and leave you with a couple more photos of the goods shed.
This photo of 7416 drawing the wagons out of the yard, was the first of a sequence showing the arrival of the pick up goods.
The shed looking from the other direction for a change, with just a solitary 16t mineral waiting to be unloaded.
As a matter of interest, here is an early photo of the goods yard on the original Penhydd, the shed was based on the one that stood at Hemyock.
I did try to fit chairs to the PCB points, but unlike Captain Kernow, who has done a marvellous job on his new Bethesda Sidings layout, I gave up at an early stage!
I agree, those spreads do nothing at all for me and often show the faults (thick glazing, terrible couplings, wonky bits etc.) rather than the overall scene, which what most of us are trying to create I would've thought!
Lovely pictures as ever. This layout is a real gem.
Well I'm glad that someone else agrees with me Jonas, you've hit the nail firmly on the head there, and thanks for your kind comments.