A bit of a hiatus due to personal stuff, so the actual CAD was delayed until this afternoon.
Here’s the problem. The inside motion protrudes, like the real thing, into the space occupied by the saddle. The valve rods need room to move back and forth. The pencil outline shows where the saddle will sit. The socking gert nut holds the body to the chassis.
The rather ropey cast saddle would need quite a lot of surgery to accommodate the nut and rods. Otherwise, aside from a fettle to tidy it up, it would do admirably.
Anyway, after some marking out on the cardboard, I had produced a saddle front and back that looked about right. A short while later, they were joined by two sides. Then they were all joined together.
From the front. Looking adequate.
From the rear, showing a rebate to clear the valve rod glands. As I was taping them together, the thought crossed my mind that it might be possible to mark up and cut out the whole shape from the flat metal, simply folded up. I think, however, it will prove simpler to make four individual parts.
Some of the kit parts can be used more or less straight, aside from additional rivet work. The side pieces, for example, will fit nicely. I think I need an extra thickness of sheet at the bottom of the front part, from which the piano front will be hinged. I’m fairly pleased with the way it looks, so I suppose I ought to get the metal out and get cutting.
Raw materials. This is NS sheet scrap from a kit manufacturer, off-cuts from etch sheets. It’s sometimes worth checking with various manufacturers if they are willing to sell bundles of this kind of thing. It’s very useful for just the kind of work I have in mind, and I am grateful that Best Beloved had the foresight to acquire just such a mixed bundle of brass and NS material some years back. Some manufacturers, of course, will simply turn in this stuff for scrap, but the likes of Laurie Griffin might be persuaded to sell it to you instead. It’s worth asking, at least.