Brian.
More wonderful photos of times gone by that were not recorded, in the main I'm guessing, as much as steam traction of the day. As I said before I wonder how many collections have ended there usefulness at the tip? Thanks once more. Can you please let us know what system you are using to be able to load them into PC/Laptop stuff?
Cheers James.
That's a true observation of the times, James. I was one of those people! In my early career I was employed by a large photographic company and had access to lots of film at either very advantageous prices or, indeed, free. I photographed a lot of steam, although it was well on its way out when I had a decent camera, but the largesse of my company in supplying so much film meant that I photographed quite a few diesels at the time although they were of very limited interest to me. I never photographed EMUs, though. I had an acquaintance at the time who was an enthusiast for EMUs, particularly those on the Southern. My friends and I thought that very weird. In fact this is the first collection I've come across which is EMU focussed - not exclusively so, but certainly in the majority.
As for scanning and post processing, I use an Epson Perfection 4490 Photo Scanner exclusively for negatives, slides and in this case small contact prints. Stone age I know, but it's always worked magnificently and I'm very used to it - just don't let the British Museum know that I still have a working one. Photos are all scanned directly in to the lap top of the time - this was replaced at Christmas so is the only piece of equipment which has any currency. Post processing is done using Adobe Photoshop Elements 2 - if the scanner is stone age this software is positively antediluvian but does what I want without bells and whistles and does it reliably. All those prints have an element of image and edge sharpening and the spots, dirt and scratches are painted out with a simple clone tool. Sometimes it's possible to darken the light areas or lighten the dark areas but there's little one is able to change density or contrast on a print - if I had the negatives the world would be my lobster (I think that's right

- thanks Arthur Daley).
I've now produced quite a few prints up to A4 size for photo exhibitions using the scanning system as described above and an Epson 560 printer of abut the same vintage as the scanner. They work well as a pair but the old 560 machine is starting to give problems in some areas so will need replacing sooner rather than later. In fact Simon/Launceston Road/Titfield Thunderbolt of this parish used one of my scans from a 35mm negative for a poster size picture at the back of his exhibition stand - hope it's OK to mention that, Simon.
I reckon this is proof of the old truism - it doesn't matter how technically wonderful your equipment, if you don't know how to use it you'll create crap. One of my favourite shots was taken with a Box Brownie! For those who have mastery of the more up to date opportunities it's a pretty wonderful time, though - just look at Mickoo's results both here and in the States, and I'm impressed at how dissatisfied he is with anything less than absolute perfection.
Brian.
PS - more photos will follow later today.