4mm Helland Wharf

HELLAND WHARF

As suggested by Rob Gunstone (NHY581), welcome to a thread about my cameo layout Helland Wharf which represents the classic location on Cornwall’s Wenford branch inspired by the photographs of Peter Gray and others.

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For those who might not be familiar with the line and location here’s a bit of history. The Bodmin & Wadebridge Railway was one of the first in the country being opened as early as 1834. Despite the name, its ‘main line’ was regarded as the line between Wadebridge and Wenford Bridge with the section from Dunmere Junction into Bodmin being regarded as a branch. Another short branch ran to Ruthern Bridge. The line was built to carry sand dredged from the Camel estuary and granite from the DeLank quarries above Wenford Bridge which were reached by an inclined plain.

Whilst existing in total isolation, the B&W was acquired by the LSWR in 1846. Although that company had barely reached Salisbury at that time, it had its sights on building all the way to Truro and reasoned that acquiring the B&W would give it a foot in the Duchy to block the Great Western. Ironically it was the GWR that provided the B&W with its first connection with the outside world when it opened its branch from Bodmin Road to Bodmin in 1894 followed by the connection to the B&W at Boscarne in 1895. It was not connected to its parent until 1899 when the North Cornwall line reached Wadebridge.

The LSWR had extensively upgraded the line between Wadebridge and Bodmin to passenger standards in the late 1880s/early 1890s with several realignments to ease the sharp curves of the original and provide a heavier track but the line from Dunmere up to Wenford Bridge, now regarded as the branch, was never done and was always freight only although it appears it was possible to buy a ticket at Wadebridge and ride in the brake van.

Because of its light nature, the Wenford Branch was severely restricted as to what locomotives and stock could be used. Long wheelbase and bogie vehicles were always banned and when the original B&W locomotives needed replacing the LSWR tried several alternatives before settling on the Beattie Well Tanks. It appears ten of the class were employed at various times but after the general withdrawal of the type it was the famous three that remained at Wadebridge. Further tests to find replacements proved fruitless so heavy overhauls were authorised. The Southern looked to replace them in the 1930s but again nothing suitable could be found and so further rebuilding/overhauls were carried out. Finally, in 1962 following trials with Pannier 1368 it was decided that type was suitable and 1367 and 1369 moved from Weymouth to replace the venerable Well Tanks.

Traffic had evolved. The carriage of sand, which was used as a fertilizer, ceased as did the granite traffic from DeLank. General traffic was carried to Wenford Bridge which was a public goods station so any general merchandise including domestic coal was carried whilst timber was loaded at Wenford Bridge. Early in the 20th century one of the earliest china clay works was established alongside the branch just short of Wenford Bridge. The clay was extracted on Stannon Moor up on Bodmin Moor and passed down to the dries as a slurry by pipeline. After drying it was shipped out by rail and became the principal traffic for the branch until closure which occurred in 1982 as a result of BR wanting to replace the traditional clay wagons with the CDA hoppers. However, these were too big for the branch and with BR unwilling to upgrade it, the business was lost to road transport. This didn’t last long either and today the dries stand derelict. The rest of the branch now forms part of the Camel Trail, a long distance footpath and cycleway that extends all the way to Padstow.

THE MODEL

This represents Helland Wharf which was approximately midway between Dunmere and Wenford Bridge. Here the line squeezed between two existing cottages before crossing a public road. I originally planned it to be a diorama or photo plank to try some new techniques for my larger loft layout based on Boscarne Junction. However, a good friend suggested I turn it into a small exhibition layout which I duly did.

The layout is built on a 1200 x 250 x 15mm shelf for the scenic section with a matching 600mm section at each end for fiddle yards. All are braced with 20 x 15mm strip wood. Facia and back boards were custom laser cut from plywood.

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The three sections are joined with bolts and wingnuts with DCC Concepts dowels ensuring perfect alignment. The whole thing takes about half an hour to set up or take down.

The track is Peco Streamline code 75 bullhead laid on a cork base which covers the entire scenic section. The siding, which fell into disuse in the early 1950s and was closed and lifted by the end of that decade, has been included to add a bit of operational interest – Rule 1 applies. The single point, a medium radius example, is operated manually by means of a brass strip running between buried guides with a pin soldered into it which engages in the point tie bar. Rugged but simple and, above all, reliable.

Electrically it couldn’t be simpler. It’s good old DC analogue and as the prototype was worked by ‘one engine in steam’ the whole layout is a single section although droppers are fitted to each section of track to ensure electrical continuity.

Once the track had been laid and tested to satisfaction both rails and sleepers were painted. Thoughts then turned to ballasting. For the main running line I used OO ballast applied in the time honoured way of laying it dry then using diluted PVA to fix it. The siding was done the same way but with N gauge ballast. With hindsight I wish I’d done the whole layout with the smaller ballast – a lesson for next time. Despite this, the overall appearance looks good and I often get asked if it is EM or even P4! I think it’s the wider spacing of the longer sleepers on Peco bullhead that creates the illusion. Incidentally, the two fiddle tracks are code 75 flat bottom to save cost. The buffer stop is a Peco one I happened to have in stock which has received a wooden beam to replace the original rail one and a tie bar was added. The siding was given some grass growing in the 4 foot particularly around the buffer stop.

A few photos of the layout...

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More details to follow.
 

NHY 581

Western Thunderer
Good to see Helland on here, Mike.

For the info of the forum, Helland Wharf will be at SWAG'25, held at Staplegrove V.H ( Taunton ) on Sunday, 6th April next year.

I'll post full details of SWAG in due course.

Rob
 
Firstly, thanks for all the complimentary posts and 'likes', all much appreciated. Meanwhile back to the model...

THE COTTAGES

These are quite distinctive and needed to be scratch built which was done in parallel with making the baseboards and laying the track. Fortunately, there are numerous photographs to be found on the internet and the overall sizes could be measured on Google Earth. Armed with this information I created a set of drawings before starting work. I can’t claim either is an exact scale model but it is the character that I was aiming to capture.

Both are built using 2mm card to form the basic shell which includes internal walls and floors. I have not attempted to furnish the interiors, the internal walls and floors merely add strength and rigidity and ensure there is no unwanted views through the windows – for me, nothing looks worse than being able to look in through an upper floor window and being able to see out of a lower floor one on the far side of the building!

The shells are then covered with embossed Plasticard for the stone areas whilst the rendered parts use Scalescenes Stucco paper (TX28). The stone sections were first given a coat of Halfords' grey plastic primer then near-dry brushed over with acrylics before picking out individual stones with differing shades.

The windows are created by printing them out onto self-adhesive labels and then, after applying them to the glazing, cutting them out carefully to leave the glazing bars. A fresh, sharp scalpel blade is essential. The roofs are covered using Scale Model Scenery weathered slates which, having tried many different materials n the past, I find give an excellent representation.

Cobblers Cottage (the name it goes by today at least) is the one on the south side of the line or at the rear of the model. It is of a very unusual design being built into a hillside. The ground floor was used as a storage area with the accommodation confined to the upper floor reached by a steep set of stone steps with a handrail which I had to fabricate from brass wire – which given my general incompetence with a soldering iron, was quite an achievement!

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The shell of Cobblers Cottage taking shape.

Hollyhock Cottage (again its current name) is a typical Cornish dwelling variations of which can be found across the county. It is actually one half of a semi-detached pair but there wasn’t space to include the other half. Construction follows the same as Cobblers but it needed some extra features as I wanted to replicate Peter Gray’s classic photo shown at the start of this thread. To this end two of the windows were modelled in the open position using the same method of construction as described. The front door is also open which meant I did have to include the hall carpet and staircase which can be seen in Peter’s photo. I also included the damaged section of guttering which can be seen in the picture.

I have seen photographs which show that the rear part of the building was a later addition possibly soon after World War II but as I only intend operating the layout in the BR period that isn’t an issue. Both cottages stand today with only minor alteration and modernisation.

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Hollyhock Cottage approaching completion and ready for the garden.

Then it was time for some gardening. The garden walls are thin balsa strips clad with embossed Plasticard and capped with semi-circular mouldings from a Wills building details pack which I think are intended to be used as roof ridge tiles! A Langley Models fret provided a perfect match for the front gate whilst I used Superquick paving for the paths.

The front lawn is 1mm static grass with the flower beds filled with commercially available flowers. The back yard is a vegetable patch. Initially I used HO cauliflowers and cabbages but these looked ridiculously over sized so I replaced them with their N gauge counterparts which still look a little on the large size. The runner beans are much better whilst some flock represents… well, I’m not sure; potatoes perhaps?

Both cottages were constructed on 3mm ply bases which were set into the cork baseboard covering and bedded in to the scenery which was the next thing to be tackled..
 
The cottages in position.

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THE SCENERY

Passing through Helland, the branch followed the side of the Camel valley so on the model the land rises behind the tracks. In the foreground it would have dropped away but that would be outside the baseboard edge. There were also, conveniently, shallow cuttings at each end.

The hillside was constructed quite conventionally with balsa formers covered with a lattice of thin card (from cereal boxes) then covered with plaster bandage and a final screed of Polyfilla. After painting static grass was applied in varying lengths to achieve a slightly unkempt appearance inside the boundary fence with shorter grass beyond.

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One major challenge was how to make the lane, which is a major scenic feature on the model, disappear seamlessly from the 3D foreground into the 2D backscene. How to do this, I know, has been the subject of some debate on both this and other forums.

My solution was to take a screenshot of the view up the actual lane from Google Earth’s Streetview. Fortunately this is little changed over the years apart from a modern traffic sign and road markings which were easily removed with Photoshop. (Incidentally, those new additions warn motorists of the ungated crossing despite the railway having been closed and lifted for the best part of 40 years although the rails are still in place across the lane!) The tricky bit was printing it out to the correct scale. A first attempt at what I thought would be right proved to be wrong and it took about half a dozen attempts before I got it right.

The lane surface was ‘extended’ with Photoshop sufficiently to reach the crossing and then the print was stuck to both the baseboard and backscene with a generous convex curve between them. Viewed straight on (below) the result is exactly what I was aiming for although admittedly it looks rather ridiculous if viewed from either side which, fortunately, isn’t possible due to the position of the left hand backscene and Cobblers Cottage. The matching lane in front of Hollyhock Cottage was surfaced using fine wet-and-dry paper which was painted with acrylics and dusted with weathering powders until it matched the road beyond. It was then just a matter of blending the 3D hedgerow into that in the backscene whilst a tree that remained in the garden of the cottage in the print was hidden by planting a 3D equivalent in front of it.

The result receives many favourable comments at shows and I’m regularly having to explain how it was achieved. Of course, this method wouldn’t work everywhere, for example a street scene lined with buildings would run into the usual perspective issues unless, as here, the viewing angle was severely restricted. In the case of Helland it also helps that the real lane climbs quite steeply after the crossing. If it were roughly level, or worse, dropped away then it might have been more of a challenge.

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The trees are homemade using the tried and tested method of twisted wire armatures coated with modelling clay and using foliage from a variety of suppliers to obtain subtle variations in colouring from one tree to the next. Again it is fortunate that there were groups of trees at both ends to disguise the holes in the backscene.

The railway boundary fence is Peco’s ‘flexible’ variety which works here as the prototype was a 4-bar fence. I decided not to add it to the front of the layout as it would be too vulnerable to damage and not just during transport! One therefore has to imagine it is just ‘off scene’ although large parts of the branch were unfenced.

DETAILS & PEOPLE

With a small layout such as this there is an opportunity to include small details which can hold the attention of viewers between trains. Whilst the signs can all be bought commercially I elected to make my own. The railway trespass signs were tracked down and photographed square on during visits to the Bluebell and Mid-Hants Railways, careful note of the dimensions being taken at the same time to ensure they were printed out to the correct size. The ‘Trains Cross Here’ sign was taken from an image of one on sale on-line which was helpfully propped against a brick wall to aid in determining the size whilst the size of the triangle was confirmed during one of my regular volunteering visits to Didcot.

There are other small details such as a dustbin in the back yard of Hollyhock Cottage and a bike propped up against the back wall.

Another area that attracts debate is populating a model. Some think it brings the scene to life whilst others feel the lack of movement is at odds with the movement of the trains. I can understand both arguments but, on balance, I tend to lean towards the former. In the case of Helland I’ve been quite restrained. There is a shunter or ganger (depends if the train is about or not) standing beside the point lever whilst a flagman is protecting the crossing. I thought long and hard about him. If he was not there then it would appear wrong if the trains cross an unprotected crossing even if not much traffic uses the lane but then how does one explain his presence between trains? Someone from Pendon suggested the answer was a hologram but that’s way beyond my skillset, or theirs I suspect!

Prominent in Peter Gray’s picture that inspired the model is the mother holding a baby and a older child in the front garden of Hollyhock Cottage which I really wanted to replicate and which is why I included the open windows and door. Sadly, internet searches for suitable characters proved fruitless.

Then whilst exhibiting at Chatham this summer I got chatting to a visitor who remarked that it was a pity the figures were missing so I explained why. A little later he returned and thrust two small packets into my hand explaining he’d found them on the Dart Castings’ stand in the Monty’s range. The mother was a near perfect match and the girl was not bad either although she was waving. He refused my offer to pay for them saying it was a small gift towards an excellent model. But that wasn’t the end of it. A week or so later I got an email from him via the Chatham club saying he’d found a more suitable girl in his bits box and was I interested – photo attached. She was perfect, even holding a doll as in the picture, so was she was promptly popped in the post. On arrival I spotted she had a long pony tail but a few seconds work with a scalpel gave her a haircut to match the original. The gentleman’s name is Eric Coster and I’m very appreciative of his kindness which is typical of so many in this wonderful hobby.

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Dad is in the back yard hoeing his bumper crop of veggies accompanied by Sparky. Sparky was a collie-spaniel cross who arrived in our village as a pup from dog rescue. He was a wonderful dog with real intelligence and a superb personality and temperament; the whole village ‘adopted’ him and he could be found most days socialising in the village pub with or without his ‘master’. Sadly, we lost him this year at the grand old age of 15½ and the village seems odd without him. Looking through my bits box for something else I found a dog that looked remarkably like Sparky so I painted it up to match his black and white fur (I had taken photos for my cousin to paint his portrait a couple of years ago) and placed him in the vegetable patch – appropriate as the real Sparky would often be found among his master’s vegetables when not in the pub!

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Love the "real" characters in this model, brings it to life.
Julian
Thanks.

I intend to add Peter Gray with his camera on the bank beside the crossing along with his motor bike parked in the lane. But that's a problem, he owned a Velocette LE which was quite a distinctive and I'm not aware of one being available in 4mm, unless someone knows better!
 

JimG

Western Thunderer
Velocette LE?
Maybe not quite right...........
My LE was an ex-MET bike and I think a lot on the road in private hands would have been ex-police. Mine came with 1/8" steel panniers on the back which made a huge scar down the doors of a car who pulled out and side swiped me. I suspect the car owner might have had insurance problems since he showed no interest in exchanging details. :)

Great old bike, very well balanced. With a friction twist grip I could hand roll a ciggy on the way up to work in the mornings. :)

Jim.
 
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