Whilst fiddling with signals - fiddle being the operative word - I got on with the painting of the track.
Starting with the best of intentions to follow the example set by fellow member
@PjKing1 , I let fly with the powder, a dark earth as I recall:
This looked promising as a base, but when I popped out to Hobbycraft to purchase the necessary tacky stuff to stick it down with, it was just my luck to receive a, “sorry, mate, we’re out of stock”. What followed was a helpful attempt on the part of the assistant to secure one for me, however, a convoluted method which involved ordering two for some sort of discount, popping back to the store to collect both before returning one to benefit from the discount, I ended up watching his lips move as I deceived to bail out to The Rangearound the corner. Before I did, the guy provided an option in the form of a rather large aerosol full of Matt acrylic varnish which he assured was basically the same ‘stuff’. Cut a long boring story short, I ended up back at H/craft to pick up the alternative as my jaunt to The Range proved fruitless…….
But could I get the darned stuff to stick the powder down? Could I embuggerance: after the first ‘blast’ there were just bare sleepers presenting themselves; the powerful jet had blown the lot into the atmos, and I hadn’t realised just how far until the next visit by my granddaughter, which left my wife totally perplexed as to how the soles of her tiny feet were so dark brown…..
After this I tried again, this time with short bursts from various distances, which at best left very little adhered to the track and at worst, no difference at all, as I guessed the spray had dried before hitting the track. Launching the stuff at a passing van with a Liverpool Football club flag fluttering from one of its unwashed windows, I decided to opt for the airbrush, for which I realised I could adjust the pressure of the spray. But this was another frustrating venture: the acrylic varnish had gone off in the tin, and even after popping out to buy a replacement, I discovered that my recent overuse with acrylics had gunged up the needle thing inside the gun. Stripping it down and cleaning it, I decided I was long overdue a replacement anyway, and in any case, my patience had worn thin, so putting it all down to experience, I dug out my old tins of enamel paint, with their mud-like contents, and gave the whole lot a re-prime.
Sorry, Paul: I really did try, but you know how these things can sometimes go, mate
In any case, I could never have fully adopted your wonderful method with its most excellent results, as Peco Streamline Code 100 rail could never, ever - apologies the slight transition to Taylor Swift, there - present the same dashing effect as your EM scale stuff ……It simply has to be as near to black as can be whilst still having some nuance of brown/rust if it’s to be as elusive as possible
After hours and literally hours of washes, mixes, more washes - and sometimes starting again - and using Mr Williams’ books and various sites on this very subject, this is what I finally came up with:
I’ve loads more, but I think these are enough - so’s not to bore you, reader - to give an all round idea of where I eventually arrived with the task.
Am I happy?
Not really. For instance, I wanted to display a contrast between the colour of the rails of the mainline with those of the sidings, but the lighter the tone got, the bulkier those girder like rails seemed, so sadly, I had to tone them down until pretty much the desired effect was lost. Hey Ho.
I also don’t like the effect created when the lights are switched on: they tend to make the whole ensemble too light by showing up the lighter (and very dilute) washes below. I’ve tried to show some of the above with layout (LED) lights on, LED (warm) lamp on solely and no lights at all, and I’m hovering between no light and LED lamp. I’ll either live with it, or get rid of the LEDs (incidentally, the warm setting on the layout lighting is worse than the cool! Here’s a couple that show with lights off:
Which I prefer, and lights on:
….on the warm setting which I don’t.
Otherwise, apart from adding spills and coal/ash droppings which I’ll wait to determine when I run a couple of layout locos over it, I’m leaving it there.
Elsewhere, I’m still working on the signalling, and have started a second which will be in lieu of the ground signal at the terminus end of the loop.
The signal first posted to date with some of the fitting fitted:
I made a bit of a blunder with the face, adding a black stripe that shouldn’t have been there for this type of signal,which I only realised after consulting Stephen’s volume one on the subject of signalling - I’ve learnt yet another valuable lesson here regarding research, even for a run of the mill BLT like this
My first attempt:
Wrong!
This time, correctly amended:
The best result thus far from building this signal, was that I managed NOT to melt the plastic Ratio post, after all, whilst soldering on the backblinder
, which bodes well for the others.
I wasn’t so lucky with other (minute) working parts from the MSE range, but I’ll leave that for another day.
As you can probably tell from the date of my last posting, this signal construction isn’t the hastiest of processes, so whilst poring through some old photos in my album, I hit upon an idea that could speed things up slightly, without the added worry of melting plastic parts in the process, and it came in the form of a totally scratchbuilt - and as always - unfinished SR rail built post type I’d started long ago. Rail built on the GWR you may ask? Sacrilege? Well, no actually, as the starter at Cirencester at one point was one such example and on which the track plan is based, so I seized upon the idea.
With some of the SR clutter removed and a temporary fix of the chosen signal arm, another from an MSE fret (steel arm type):
According to Stephen’s book, this plain arm type - all red again - on a short post would be used to regulate traffic from the main onto a loop, so this provided ample excuse to use it.
Since then, I’ve made the attachments, primed with Acid etch and primer, and begun the painting process.
I’ll attach these in the next post as I’ve run out of photo allowance for this one.
Cheers for now.
jonte