Following on from Steve Cook's beautiful lettering on his brake van, I've been wondering how to letter my private owner wagons to, hopefully, get somewhere near the standard that Steve has achieved. I have four of these RCH 1907 wagons to letter, all in the same company - Lindsay Crookston & Co. of Glasgow. I would probably have had a go at hand lettering if it had just been one wagon, but doing four with the same lettering would probably show up many problems. I know that Victorian/Edwardian wagon painters' font standards could be a bit variable, but I suspect that my variations would be a fair bit more than theirs.

So I've decided to experiment with some white inkjet decal paper to see if I can print on that then apply the decals to the wagons. At least any mistakes I make will be the same in all four wagons.
The first requirement is a good piece of software to do the lettering and I use CorelDraw. I actually purchased one of their older, "Classic" versions a year or two ago, which costs a fraction of the current version but still has more than enough features to do what I want. My version is X4 which may now not be available.
The first job was to draw out the wagon side to act as a guide for the lettering
I did both sides so that I could watch out for any funnies with the different ends for the end door.
This is the prototype from a bit of a blow up from the HMRS site. The colors are white lettering with black shading to the right and below. The wagon body colour is grey.
The first job was to lay the lettering out on the side of the wagon. This was not a quick job when trying to reproduce the style of the original from a not very good image. I think it has taken several accumulated days to get to this stage. The problem is that CorelDraw gives you so many variables to adjust that there is always the temptation to try something else.
I laid it out on the left hand side then copied what I had done to the right hand side to check that it fitted. The one peculiarity is the slightly wider spacing between the "S" and the "T" in "Crookston" to allow for the iron work between them.
I then concentrated on the left side and added the grey background for the lettering. In practice I am going to have to experiment with this shade of grey (maybe fifty variations

) to match the grey of the wagon side. I've sized the grey background to coincide with planking lines in the hope that this might help to disguise any slight variations that might occur
The next job was to copy the lettering and set the copy below and change it to black lettering. I also took the black outline off the white lettering since it was now easily visible on the grey background.
Then the black lettering was moved up to be behind the white lettering, then moved right and down to give the black shading.
The last job to do was to tidy up the ends of the shading and also to adjust the amount of shading on the smaller items like the comma and the full stop.
I'm reasonably happy with the results so far. The "S" and the Ampersand were a fight - they usually are - but the original painter's interpretation made them even more difficult.
I'm just waiting on some Crafty Inkjet Decal paper coming to have a go at sticking something on a wagon side to see if it is successful.
Jim.