Buckjumper
Flying Squad
West Mersea
Yesterday I decided to take a day off from soldering my fingers to brass and chucking paint at various models in exchange for a little scenic work on the West Mersea, and so a small, but select band of heroes made it to Sudbury - John Birch, Steve Wheeler and his faithful hound Sopwith. John and I made some sockets to plug the buildings into down at the loco yard, while Steve diligently got on with ballasting the main line on the same boards. Sopwith guarded the lunch while Peter sat at his modelling desk building the new water tower.
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For those who can't see the difference between 32mm and S7 track... :wave:
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65447 has been exhibiting an intermittent electrical issue and has trashed a couple of chips - a problem I finally tracked down after the weekend. Now fixed, she runs beautifully and was recorded pootling in and out of the station. Apologies for the ropey filming, one hand on the phone trying to steady it (while getting electrical pulses up my arm from the tracks) and the other wrestling with the bally controller is not conducive to winning an Oscar for best cinematography...
Yesterday I decided to take a day off from soldering my fingers to brass and chucking paint at various models in exchange for a little scenic work on the West Mersea, and so a small, but select band of heroes made it to Sudbury - John Birch, Steve Wheeler and his faithful hound Sopwith. John and I made some sockets to plug the buildings into down at the loco yard, while Steve diligently got on with ballasting the main line on the same boards. Sopwith guarded the lunch while Peter sat at his modelling desk building the new water tower.
[attachimg=1]
[attachimg=2]
For those who can't see the difference between 32mm and S7 track... :wave:
[attachimg=3]
65447 has been exhibiting an intermittent electrical issue and has trashed a couple of chips - a problem I finally tracked down after the weekend. Now fixed, she runs beautifully and was recorded pootling in and out of the station. Apologies for the ropey filming, one hand on the phone trying to steady it (while getting electrical pulses up my arm from the tracks) and the other wrestling with the bally controller is not conducive to winning an Oscar for best cinematography...