Heather Kay
Western Thunderer
Experiments with recreating the moquette.
Based on Bob's photo, I found some nearly suitable brass etched grille material in the Bits Box. I trimmed it to size and shaped to fit as snugly as possible over the seat moulding.
For reasons that escape me, I decided the base coat - which would represent the fine light lines of the pattern - should be a light olive green.
And here are the first attempts. Like most modellers who never look after their expensive sable brushes, I always have a good supply of superannuated size 0s past their prime. I use them for weathering and cleaning duties until the remaining hairs fall out. In this case, the brush was trimmed square to give me something to stipple colour through the mask, my aversion to airbrushing already recounted above.
It took me some time to work out an ideal consistency for the enamel. If I thinned it, it would blob right under the mask completely. If it was too dry it wouldn't get through the mask at all. The mask also showed the seats have a subtle curve in the cushion moulding, resulting in uneven coverage where I didn't expect it at first.
As an experiment, I think it worked as well as I expected. If anything, my choice of colours was way off! I think I will end up painting the seats dark blue first, and using black as the masked pattern.
Based on Bob's photo, I found some nearly suitable brass etched grille material in the Bits Box. I trimmed it to size and shaped to fit as snugly as possible over the seat moulding.
For reasons that escape me, I decided the base coat - which would represent the fine light lines of the pattern - should be a light olive green.
And here are the first attempts. Like most modellers who never look after their expensive sable brushes, I always have a good supply of superannuated size 0s past their prime. I use them for weathering and cleaning duties until the remaining hairs fall out. In this case, the brush was trimmed square to give me something to stipple colour through the mask, my aversion to airbrushing already recounted above.
It took me some time to work out an ideal consistency for the enamel. If I thinned it, it would blob right under the mask completely. If it was too dry it wouldn't get through the mask at all. The mask also showed the seats have a subtle curve in the cushion moulding, resulting in uneven coverage where I didn't expect it at first.
As an experiment, I think it worked as well as I expected. If anything, my choice of colours was way off! I think I will end up painting the seats dark blue first, and using black as the masked pattern.