I generally like to procrastinate over finishing models. I think I worry too much about blundering in and making a complete hash of things at a late stage. Anyway, I bit the bullet today, printed out Bill's images for handy reference, selected some suitable Humbrol enamel colours, and decamped to the paint shop.
Here's what I started with, perched precariously close on the turntable. It's not totally matt but it still looks like it's ex-works.
After about an hour this is the result. Doesn't look a lot different, does it!
I mixed 62 leather, 33 black and a dash of 34 white to give a sort of pale orangey colour. This was copiously thinned so it barely left any paint after a gentle waft with the airbrush pressure set about as low as the compressor will go. After a couple of wafts to get a little colour over the whole model, I narrowed the beam - I haven't mastered double-action airbrushes yet, so I'm using my trusty Badger 120 single-action - and went in a little closer to apply a slightly more dense colour around the cylinders, buffer beams, along the bottom and frames of the tender, and up the cab sides.
I mixed a slightly greyer shade - more white and spot of black - and then wafted down along the boiler, cab roof, tender top and so on.
This angle gives a slightly better impression. Note the prints taped to the back of the "booth" for reference. The white line through them is a fault on the laser print drum, which I have to live with until it's time to buy a new printer. I am trying to aim for something between the two images. For now I am letting the first few wafts dry, and I'll assess the damage tomorrow.
Once I feel happy with the overall base grime, I shall retrieve the loco and set about it with dry brushing and powders. I think the secret is knowing when to stop. I already made a bit of a boob on the driver's side cab, so that will need a little remedial work. It's not a disaster, but not quite the direction I wanted to head.
The rest of the day will be spent considering the next build to hog my workbench!