It's the fiddly final details that seem to take so long.
Today, gangway covers and end handrails. All that's needed now is a lick of satin varnish on the latter and I think these coaches will be ready for their official portraits.
The gangway covers.
In real life, these were canvas, akin to wagon tarpaulins. I recreate them using standard 1in masking tape, coloured black with a felt tip pen. Trimmed to a rectangle about the right size, it's then carefully wheedled into place with tweezers.
I fully expect the masking tape will lose its tack over the years. However, it shouldn't become dislodged under normal operation.
While I was at it, I trimmed a "floor" for each gangway, as no passenger would be expected to negotiate a concertina floor!
Gad! These macro close-ups show every hair, spot, grolly, hickey, brushmark and splodge. In real life, it looks much nicer.
The handrails are the traditional bent brass wire. I chemically blackened a couple of lengths of 0.7mm straight wire to begin with. Having drilled holes for the top and bottom fixings, I formed a U at the top, and worked my way down. The curve is formed by gently bending between my fingers - nothing more scientific than that. The bottom fixing is a right-angled bend which is glued into hole in the end of the coach.
This pair was my test piece, which is why they're not blackened yet. Since the roof of each coach is intentionally not glued in place, the top of the handrails is formed to be carefully sprung into its hole. This should allow the handrails to be sprung out if the roof needs to be removed at some stage in the future, should a glass panel be broken, or a passenger go a-wandering.
As you can see, there are still one or two paint anomalies to correct on this coach, but once they're done they will be officially complete. All I need to do to complete the task is find a way to transport them so there is no undue pressure out on the sides when they're packed, and deliver them to the client in a fortnight.
I will round up my thoughts on this build in a later post, but let me just acknowledge the help and encouragement from everyone who has been following progress. In particular, thanks to Graham Beare (Dog Star) for material assistance in lending me some reference books from his library, as well as helping our mutual discovery of key details of Collett coaches that had previously escaped some notice! Graham, I shall be sending copies of the final portraits to John Lewis. His in-depth knowledge of the prototypes was freely given upon asking.
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